Deep Dive into Python and Podcasts

Deep Dive into Python and Podcasts

Okay, folks, buckle up for a tale of tech woe and (hopefully) AI-powered redemption. I was seeking a final project for my final project for Kaggle’s 5-Day AI Intensive. All I kept thinking of is my long-delayed project to explore our mountain of podcast mp3s and transcripts.

Here at Rethink Next Labs and Maremel Studio, we’re a tech company that, ironically, has a knack for creating truly epic tech storage and processing messes. Case in point: our podcast archive.

We’re sitting on a glorious mountain of 100 MP3 files, the digital echoes of nine years of podcast interviews across three different shows. Think of it as our own personal Library of Alexandria, except instead of scrolls, it’s a digital pile of audio. Our latest baby, the Creative Innovators podcast (seriously, give it a listen!), has only added to the fun, blessing us with three seasons of awesome chats and a delightful smorgasbord of transcriptions. You get the picture – it’s a lot.

For ages, our brilliant solution to this audio overload has been… well, throwing money at it. Transcription services, summarization wizards – they’ve all had a go. Wouldn’t it be helpful to have our own AI brain that could just talk to all this amazing content? Imagine asking it about recurring themes or the secret sauce of innovation, gleaned from years of conversations!

So, my goal? To turn this audio chaos into something super useful. We’re talking consistent transcripts (finally!), killer summaries, and the holy grail: clear career paths for every guest. Think cool infographics, maybe even an ebook and audiobook packed with career wisdom, all mined from the source. And this Kaggle AI Intensive? It felt like the universe saying, “Hey, your audio mess? Perfect final project material!”

Our project is basically our plan to drag ourselves into the 21st century (audio-wise, at least). We’re starting small, with four brave sample MP3s from Creative Innovators. Here’s the techy lowdown:

  • Herding the Digital Cats: Getting Python to actually see our four test .mp3 files and treat them like the valuable data they (sort of) are.
  • Function Fiesta: A whole bunch of Python functions getting ready to hit up the APIs for Whisper, Gemini, and whoever else will listen.
  • MP3 to WAV: The Great Conversion: Using PyDub and AudioSegment to turn our trusty .mp3s into .wavs. Apparently, it helps with chopping them up for the AI to munch on. Go figure.
  • Whisper Tiny’s Fast Chat: Using OpenAI’s “tiny” Whisper for quick transcriptions. Speed over perfect accuracy for now, even if it occasionally sounds like our guests are speaking in tongues.
  • Gemini’s Brainy Bits: Letting Gemini AI loose on the transcripts to pull out the key takeaways in three neat little bullet points. Fingers crossed it gets the good stuff.
  • Prompting for Career Gold: Basically, teaching Gemini how to be a career path detective, digging through the transcripts for those pivotal moments.
  • Career Path Unlocked!: Getting Gemini to actually map out those career journeys in a way that makes sense (even to us!).
  • SQLite’s Secret Stash: Dumping all this processed goodness into an SQLite database. Gotta keep things tidy, even if it’s just digital tidiness.
  • Visual Extravaganza (Planned): Dreaming of using Plotly, Wordcloud, Seaborn, and Graphviz to turn boring data into pretty pictures. Think career timelines that don’t make your eyes glaze over!
  • Sharing is Caring (Eventually): Making sure all this hard work can play nice with other AI tools and our own systems. No digital islands allowed!

Now, being the tech-savvy folks we are (ahem), this journey hasn’t been without its… learning curves. My personal coding skills are best described as “enthusiastic amateur.” Last year, I learned C# to be able to work in Unity, but otherwise code in HTML and back in the day with Fortran punchcards. So, yeah, a lot of this code is lovingly borrowed and Frankensteined together with help from Gemini, my awesome NotebookLM sidekick, and the ever-patient ChatGPT.

But every tech stumble is a chance to learn, right? And the potential here is genuinely cool. Imagine researchers finding hidden patterns in how people tell their stories, marketers visualizing customer journeys, or us just being able to ask our AI brain, “Hey, what are the common threads in how our most innovative guests built their careers?” That’s the dream! And doing it ourselves means we get to build it our way, quirks and all.

The future’s looking bright (and hopefully filled with fewer audio-related headaches). This Kaggle AI Intensive project is just the first step in our quest to tame the podcast beast and finally bring our audio archive into the AI age. Stay tuned for more tales of tech triumphs (and likely a few more coffee-augmented mistakes along the way).

Written by Gigi L. Johnson

Related Articles

Screen x Screen Online Tools – Tidbits and Notes

Screen x Screen Online Tools – Tidbits and Notes

Thanks for joining today's session at the ScreenxScreen Virtual Conference on Online Tools.  Online Tools are important and potentially both beneficial and distracting for artists and those who create engagement and content with them.    Background Links and...

MONDO.NYC

MONDO.NYC

Upcoming Events MONDO.NYC October 13-16, 2020 - ONLINECelebrating its fifth Anniversary, #MondoNYC is a four-day global interactive meeting and livestream conference and showcase festival, a vital pipeline of information, connectivity, and curation of great new music,...

Innovation is Messy . . . with Jack Conte

Innovation is Messy . . . with Jack Conte

Jack Conte blends the worlds of music creation (Pomplamoose and the funk band Scary Pockets) and solving creators’ problems with systems (crowdfunding and community with Patreon).  He shares how he balances (or doesn’t balance at times) creating music with running a...

MONDO.NYC

MONDO.NYC

Upcoming Events

MONDO.NYC

October 13-16, 2020 – ONLINE

Mondo.nyc

Day(s)

:

Hour(s)

:

Minute(s)

:

Second(s)

Celebrating its fifth Anniversary, #MondoNYC is a four-day global interactive meeting and livestream conference and showcase festival, a vital pipeline of information, connectivity, and curation of great new music, cutting edge technology and innovators in the music, tech and academic world.

Gigi Johnson, our Managing Partner, is thrilled to be a Mondo 2020 partner and speaker on Tuesday, Oct. 13th at 2 pm EDT and to offer our friends 20% off registration price for the day, or entire four-day event, using code “mondo202020“.

For more info:  https://www.mondo.nyc/speakers

Creating Fearlessly in Virtual Reality

Creating Fearlessly in Virtual Reality

Please enjoy the “Innovating Music” podcast that our Executive Director produced in association with her role at the UCLA Center for Music Innovation at the Herb Alpert School of Music.This Episode: How do you create new and innovative systems for producing content in a new space? For Connor Illsley of Combo Bravo in Toronto, you innovate by “creating fearlessly.” Connor schemes how to create the most amazing creative scenario that is true to the artist — and THEN figures out how to make the new tech work to serve the artist. He shares the thought process behind Jazz Cartier’s 2016 music video Red Alert/100 Roses pair, as well as projects since. He shares with us how VR can open up opportunities with music as it lets us create more abstract approaches that just recreating reality.

Guest: Connor Illsley, Co-Founder, Executive Producer and Technical Director, Combo Bravo

Connor co-created one of the most innovative new music Virtual Reality experiences for Jazz Cartier in 2016. Along with his business partner at Combo Bravo, John Riera, he has stepped into VR projects for the UN, Nordstrom, and GE. His work brings him around the world — from Uganda to the Bahamas to a GE wind farm — to bring innovative approaches to VR as a new art form to the 360 screen. Combo Bravo is a full service production house, working on immersive media and now volumetric scanning in capturing the real world in VR and AR.Great links:
Reflecting on My SXSW Journeys

Reflecting on My SXSW Journeys

I spoke at SXSW Music again this year on my current favorite topic: Music 20/20 and how we can proactively affect the future. SXSW, however, is not just about speaking. It is about diving deeply into diverse ideas with diverse people. It is one of my annual addictions.
This is my 7th year going to SXSW — I think.  They blur together.  I started going to SXSW Interactive and enjoying the diverse voices, sharing areas I knew nothing about.  I would go to session on digital changes in Latin America and Eastern Europe, meeting people I would never have seen otherwise.  I learned about location-based mobile tools at SXSW first, learning what was being done on the ground from front-line users in arts, documentaries, and the like.   I also hear dynamic voices that really resonate for me.  I heard here first from Amber Case on tech anthropology.  I first heard at SXSW about shifts in search engine trends.  I first heard here about new heads-up displays for cars to keep the clutter down and compete with smartphone structures.  I first heard at SXSW ideas about non-interface interfaces.  
I also learned about breakfast tacos in the early years.  Tacos? For breakfast?
My experience now is different.  I don’t find many technologies I haven’t seen yet.  Perhaps this is because I’m hip-deep in leading-edge technologies at other events from my current role at UCLA Center for Music Innovation.  Maybe because the event is much heavier in startups competing for attention and big companies trying to get attention as well.  The era of the breakout new tech service or product getting lots of buzz at SXSW seems to have made way for the McDonald’s custom burger, Mazda free rides, and esurance tech giveaways.
I do continue to get my favorite things from it: real-life implementations and dynamic voices.  I enjoy learning from implementers on a local basis, running in-context, in-place real life examples of disruptive and collaborative tech — in use, with all its headaches and glory.  I find that often the people drawn to the conversation IN the room are more intriguing than those on the dias, and conversations that follow provide all sorts of connected bridges to new engagement.  In most rooms, the volunteer session wranglers needed to push everyone outside to finish conversations. . . not just about selling things and ideas to the speakers, but also to connect the folks who want to keep the conversation going in how these challenges apply in their own sector or local community.
It also continues to be a great mix of voices and use cases.  This year, northern European languages abounded as people flew great distances to be in these conversations, with their own stories and questions.  I met many executives and creative executives from Asia.  On the US front, I met several mayors, many non-profits, and lots of university students, sharing ideas and interests.
As a result of my going to SXSWedu, Interactive, AND Music (two weeks in total), my highlights this year are a mixed bag.
  • Jane McGonigal at SXSWedu talking about how we can understand and think about the future.  I do a lot of futurist work and hang out in that space.  Her talk brought it into focus for folks wanting to understand how to be a Futurist in their everyday lives.  That recording I have shared with a half-dozen people I’m working with and they are changing some of the questions they ask about the Signals they see.  
  • The British Museum, with Samsung, using VR to take young students into the Bronze Age and see artifacts in context.
  • Lots of conflicting information and predictions in sessions on location-based mobile tools and big data about consumers.
  • Beacons, beacons, and more beacons. . . especially in retail.
  • New ways to make assets liquid, including MoveLoot, which helps you resell the used furniture in your home.
  • Battling apps about food — including finding food trucks, bringing us food on the spot, and in-app learning from videos of making food.  
  • Cities wrestling with how to use big data and action research.
  • Local music venues dealing with the impact of streaming music and gentrification on local clubs.  
I really enjoy the amazing speakers. 
  • Brene Brown — live.  I’m a big fangirl and have been consuming her books and audiobooks, so listening to her live was a real treat.  I also brought along a friend from a big tech organization who needed to hear her messages. . . that week . . .
  • Ira Glass on the nature of hard work and creativity, and the difference between trying to edit documentary audio to elicit an emotional shift and writing it for feature film.  (And how to make a balloon animal.)
  • Anthony Bourdain on how to urge your TV show crew to incorporate ideas from art films. . . and live a very big life.  
Other take-aways were more contextual:
  • Joys of sitting in St. David’s waiting for a thunderstorm to clear while talking with 3 students and a record executive.
  • The crowded rooms that continue to see VR for the first time
  • Having people stop you in the hallway, bookstore, and bathroom to make comments and ask questions from your panel
  • The magic of good pulled pork and the challenge of keeping my breakfast taco intake low
  • The beauty of walking down a hallway in the Convention Center and despite there being more than 20,000 people in town for the event walking into people you know . . . from your own city . . .
Now back home for a short while, I think about the people I want to connect with further, to bring their local ideas into my local spheres, and ideas that I can play with and pitch for when when I come back again next year.
 
Gigi Johnson
President/Maremel Institute
Inaugural Director/UCLA Center for Music Innovation